Monday, May 5, 2025

the other Bitches Brew

 Well this is some nerve of the Carpets if you ask me




















Completely missed this at the time - didn't even see the advert

The Egyptian artwork even seems to nod slightly to the artwork of the Miles album






















I mean, not quite, but the Mati Klarwein artwork is a bit Nubian, ancient-to-the-future, mythscience vibed. 















Plus Miles did an album titled Nefertiti and "Pharoah's Dance" is the opening track of Bitches Brew.

So what other examples are there of bands heisting iconic titles and dragging them through the mire of their own mediocrity? 

I suppose there's "Wonderwall" but the original is not all that in the first place... 




41 comments:

  1. The Boo Radleys entitled a (pretty enjoyable) album "Giant Steps". I vaguely recall reading at the time it was an explicit nod to Coltrane.

    The Replacements entitled an album "Let It Be" after the group drunkenly agreed the LP would be named after whatever song came on the radio next.

    Corporate rockers Matchbox 20 named their very inessential "best of" compilation "Exile on Mainstream".


    ReplyDelete
    Replies
    1. Ah perfect example - cheeky monkeys the Boo Radleys (never really 'got' them I must say)

      The Replacements's Let It Be is much better than the Beatles's Let It Be

      Exile on Mainstream... funny I am just this minute listening to Exile In Guyville which might actually be better than Exile On Main Street.

      (I am a doing a track by track comparison, for reasons, and enjoying both albums immensely, despite the chopping back and forth, but for the life of me cannot detect how the successor record correlates to the original, either sonically or thematically).

      Reminds me of course of Pussy Galore's cover of Exile on Main Street, which then inspired Ciccone Youth's The Whitey Album, which originally going to be a cover of The Beatles but that concept went by the wayside.

      Delete
  2. There's Def Leppard borrowing 'Hysteria' from the Human League, but that was never really a classic. Two somewhat different interpretations of the sound of Sheffield.... Although the League's Rock'n'Roll Part 2 and the Lep's Rocket are actually not so far apart at all. Has anyone done the deep dive on whether Phil Oakey and Joe Elliott used to hang out at the same glam rock clubs?

    ReplyDelete
    Replies
    1. As another possible tribute to / improvement on an influence, Daft Punk's Discovery surely owes a lot to the ELO album. Similar sonics, sci-fi imagery and airbrushed artwork. And the "very disco" pun, of course.

      Delete
    2. Did they really borrow the title? Seems like a word that might have come to them independently, from the atmosphere at their arena shows in the USA...

      They must surely have gone to some of the same gigs in Sheffield, Roxy Music and the like...

      Delete
    3. Yeah Daft Punk, that's a good one... I think it's also some meaning to do with the idea of the child's relationship to pop, that very wide-eyed / wide-eared openness to anything streaming out of the radio

      Delete
    4. Was a student in Sheffield in the 90's and went drinking a few times in the pub (now closed I think) where Def Leppard did a lot of their early shows. Can't remember the name of it, but it was behind the supermarket in Broomhill. They had lots of Lep memorabilia - gold microphones in glass presentation cases etc.

      Was still a thriving hard rock scene with dedicated pubs in Sheffield at the time, which I regret to say I thumbed my nose at.

      Delete
  3. Whodini had not really gone away, but in 1986 they were "Back In Black", an LP that inexplicably did not include a rap/metal crossover.

    ReplyDelete
  4. Sonic Youth’s Bad Moon Rising: a very conscious attempt to place themselves in a tradition.

    ReplyDelete
  5. The Inspirals one is particularly good because of the size of the gulf between the inspiration and the derivative. It’s like Prefab Sprout titling an album Reign In Blood.

    ReplyDelete
    Replies
    1. Yes Sonic Youth were quite the rock scholars - and keen to connect to a/ America and b/ Rock with a capital R, having started as quite the Anglophiles (the first record is very PiL, very 99 Records)

      Delete
  6. Connected to this but slightly different would be bands who incorporate homage-heist into their name - the Brian Jonestown Massacre, the Mooney Susuki

    Sometimes it's done in the album title rather than the band name. Acid Mothers Temple did that a lot. Did Butthole Surfers start it with Hairway to Steven?

    ReplyDelete
    Replies
    1. Mind you the Yardbirds did that really on, didn't they?

      Delete
    2. And the Rolling Stones even earlier.

      Delete
    3. I have never understood the Yardbirds thing. They sounded as much like Charlie Parker as Starsailor did like Tim Buckley.

      Delete
  7. Given that George Michael was a fan of Joy Division's 'Closer,' is it too much of a stretch to imagine that when he titled his album 'Faith,' he was aware of the Cure album with the same name...?

    Nine Inch Nails released a live album called 'Still' -- so that might have been a direct homage to Joy Division's semi-live 'Still.'

    If we're going by album titles, then Steely Dan's debut 'Can't Buy a Thrill' is lifted from Dylan's 'It Takes a Train to Laugh, It Takes a Lot to Cry'

    ReplyDelete
    Replies
    1. Probably more likely he titled it after the surefire worldwide smash single he knew he had on the album!

      Lyrics turned to titles - or band names - is a vast topic.

      Panic! At The Disco is a kind of twist on the lyrics of Smiths's "Panic" (I assume, anyway)

      Delete
    2. A Certain Ratio from an Eno lyric

      Delete

  8. Cocteau Twins comes not from Cocteau but a Simple Minds song.

    Moonshake from the Can song. Negativland after the Neu! song. Slowdive from the Siouxsie and the Banshees song...

    Earth took their name from an early named used by Sabbath, right? As did Saint Vitus.

    In that sort of zone, Boris got their name from a Melvins song.

    Go-Kart Mozart, Lawrence's post-Felt, post-Denim venture, comes from a line in "Blinded By the Light" - I like to think via the Manfred Mann's Earth Band version rather than the Brooce original

    Radio Birdman via a mondegreen in The Stooges's "1970"

    ReplyDelete
    Replies
    1. Saint Vitus of course from a Sabbath song, not an early Sabbath proto-nym

      Delete
    2. Camper Van Beethoven.

      I've always loved the stage name John Wesley Harding.

      Shakespear's Sister borrowed from The Smiths (surely not Woolf)

      Republica named themselves after New Order's 1993 LP.

      Would Elvis Costello count...?

      Also if we're talking mondegreens, Oneohtrix Point Never takes a prize of some kind.

      Delete
  9. Yo La Tengo - There's A Riot Going On - the cheeky monkeys! and they replace the G missing from Sly's Goin' On.

    ReplyDelete
    Replies
    1. Haha that from Yo La Tengo is hilarious. I discovered only recently that There's a Riot Goin' On was titled as an answer to What's Going On. But Sly Stone didn't have a song with that title, which is why it's a blank track on the album!

      Delete
  10. Can't believe no one has mentioned the Lightning Seeds.

    If we're going album titles, then surely some sort of terminus is reached with Mark Eitzel's (ex-American Music Club) 1998 album "Caught in a Trap and I Can't Back Out 'Cause I Love You Too Much, Baby"

    Tip of the hat also, to Sunn O))) who take their name from [checks notes] a brand of amplifiers.

    ReplyDelete
    Replies
    1. It’s another mondegreen, from Raspberry Beret.

      Delete
    2. The Prince lyric is 'thunder drowns out what the lightning sees'

      Delete
    3. Aaah, just seen what a mondegreen is ...

      Delete
  11. "American Thighs" took its name from a well known AC/DC hit, iirc.

    Mustang Sally inspired both this:

    https://www.youtube.com/watch?v=ArhqgaVVCAo

    and this:

    https://www.youtube.com/watch?v=Fzb3uirGs4g

    ReplyDelete
    Replies
    1. Also this: https://youtu.be/Jn2PNlhvy8E?si=igzbuXneJhLIZc_G

      Delete
    2. And this! https://youtu.be/y6aUbrZYjYE?si=YVg697YLi6p8dmix

      Delete
  12. Just to note that Bitches Brew contributor Joe Zawinul released an album in 1967 called The Rise and Fall of the Third Stream, which I guess must've been inspired by William L. Shirer's The Rise and Fall of the Third Reich. Zawinul was originally from Austria, of course. Eek!

    ReplyDelete
  13. There is a band called Starsailor which is quite a nerve given the gulf between them and Tim Buckley, especially the track "Starsailor" itself

    ReplyDelete
    Replies
    1. In a further "ideas well above their station" move, Starsailor's debut was produced by a pre-scandal Phil Spector! (his last ever production job, apparently).

      Delete
  14. Metallica's Black Album was of course a pale shadow of Spinal Tap's magnificent original.

    ReplyDelete
  15. My God, how did I forget this one:

    https://www.youtube.com/watch?v=iaBBgnj4_tw

    Which absolutely in no way inspired this:

    https://www.youtube.com/watch?v=rmKdgQdCrYU

    ReplyDelete
  16. Mgmt did a song called "Brian Eno" I just noticed - wonder what Uncle Bri thought about it?
    https://youtu.be/_f_jaqLLPTU?si=cdR8riPD9MEEI2Qr

    So tired, soul searching
    I followed the sounds to a cathedral
    Imagine my surprise to find that
    They were produced by Brian Eno
    Past the gates, quite stark
    The roses trimmed and the windows dark
    I see the walls through a limestone crack
    Not red, not blue, not yellow but black
    And all the spaces left for you
    If the sky was synthesized you'd probably know
    He taught me many things
    The wisdom of oblique stratagems
    The prophet of a sapphire soul
    Presented through creative freedoms
    And everything I say is true
    'Cause if I was telling lies it'd probably show
    I can tell that he's kind of smiling
    But what does he know?
    We're always one step behind him
    He's Brian Eno, Brian Eno
    When I was stuck he'd make me memorize elaborate curses
    Tinctures and formulas to ditch the chorus and flip the verses
    My whole foundation came unglued
    When I tried to humanize by ambient light
    Dipping swords in metaphors, yeah
    But what does he know?
    We're always one step behind him
    He's Brian Eno, Brian Eno
    He promised pretty worlds
    And all the silence I could dream of
    Brian Peter, George St. John
    Le Baptiste De La Salle Eno
    Well, all alone by the oldest stone
    Where the shade trees grow
    The creature by the water
    Feature with a ghostly glow
    Yeah, he's making sure that time's preserved well
    We reap what we sow
    We're always one step behind him
    He's Brian Eno
    Yeah, I can tell that he's doing well, yeah
    But what does he know?
    I'm always one step behind him
    He's Brian Eno
    Yeah, dipping swords in metaphors, yeah
    But what does he know?
    I'd like to see him plant a forest 'cause I don't know
    Brian Eno
    I can tell that he's kind of smiling
    But what does he know?
    I will always be a step behind him
    He's Brian Eno
    Yeah, he's making sure that time's preserved well
    We reap what we sow
    I'm always one step behind him
    'Cause I don't know Brian Eno

    ReplyDelete
    Replies
    1. Half Man Half Biscuit also did 'Eno Collaboration'

      Delete
  17. Blimey on the same album Mgmt also have "Song For Dan Treacy" - as in the Television Personalities
    https://youtu.be/qICsQ8lT4Ko?si=ca6MsMa1PJwvO0po

    I suppose it is the next logical extension of the TVP's own efforts like "I Know Where Syd Barrett Lives"

    He spends his time or maybe half of his time
    Or part of the time wandering
    'Round the creeks and cobble stones
    Of Hackney lanes
    With a tear in his eye
    As the children walk by, he's thinking of a song
    Then stops to paint a picture of a frown
    Walking around
    Dan Treacy's smile, leaves you trying
    To decide who's the victim, what's the crime?
    No rest for the mind
    That's seen it all before
    And I don't know where he lives
    But he's a myth of a man
    And Texas Bob the cameraman
    Is off to fix his seat before the show
    Yeah, but where did he go?
    To know when your time's up
    You flip the glass and watch the hours quickening
    Oh, oh, oh
    In the back of the station
    Fluorescent lights about to quit their flickering
    Well, he speaks his mind
    He says, "What is crime?"
    Dan Treacy's eyes
    Stop in the middle of the park
    When the underground is dark
    He's a poet, he's a lark
    He starts thinking about a place that no one knows
    And when the creeks run dry, he stays frozen in time
    Strange lights in the sky start blinking
    I can see the car outside but he's listening
    Ooh, ooh, ooh, ooh
    He's listening
    Ooh, ooh, ooh, ooh
    He's listening
    Ah, ah, ah, ah
    And he's making up his mind
    He made his mind up
    To get things done and overcome
    He made his mind up
    Yeah, he's gonna let it go
    He made his mind up
    In the park and at the station
    He made his mind up
    Yeah, he's gonna get it done
    He made his mind up
    Yeah, he's gonna get it done
    He made his mind up
    Yeah, he's gonna let it go
    No matter the time, oh no
    When the creeps run by, oh, no
    He's making his mind up, oh, oh, oh
    Yeah, he's gonna get it done, oh, oh
    Yeah, when the creeks run dry, oh, oh
    Said yeah, he's gonna listen to his soul
    Said yeah, when the creeps walk by
    "Come here, boy, look me in the eye"
    Bow to the heart, back to the beat of Dan Treacy


    ReplyDelete
  18. A couple more examples in the ain't-we-cool esotericism zone

    Beck's album Tropicalia

    the name The Dream Syndicate

    ReplyDelete
  19. Oh another one, and very on theme - clever so Momus with a recent tune called "Life With Eno" - https://youtu.be/e1q6Mu0ORJY

    ReplyDelete

Audiophilephobia versus Audiophilephilia

Hi-Fi-Fo-Fum , originally broadcast on BBC Television, 12 April, 1959, as part of the program Monitor . Directed by John Schlesinge r. Narra...