Friday, December 26, 2025

Do Anything You Wanna Do

 

One of those groups who are let down a little by their front man's appearance - not that he isn't "charismatic", he certainly commands the stage....   but his owlish babyface and mullety hair-style, combined with the bared chest in the performance above.... well he's punching above his weight here in the studly rockgod contest


Top tune - but like quite a few things from that 1976-77 moment, it feels much more rooted in the Old Wave than a harbinger of the New. (See also Dictators, Bethnal, Patti Smith Group). The bare-chest and shaggy hair are the giveaway: this lot are a bunch of Who fans, and it's not even like they are flashing back to the instrument-smashing, amphetamine-blocked mid-60s Who (as with Pistols covering "Substitute", or The Jam). "Do Anything You Wanna Do" is more like an extension of the early '70s epic-Who of  "Won't Get Fooled Again", "Long Live Rock" etc. Melodically it also reminds me slightly of the Townshend-connected "Something's In the Air" by Thunderclap Newman. 

Not just the sound - it's the very ideology of the song that is far more Sixties than late '70s. Euphoric libertinism, a very un-punk confidence in the power of desire unleashed... 

Don't need no politicians to tell me things I shouldn't be
Neither no opticians to tell me what I oughta see
No one tells you nothing even when you know they know
But they tell you what you should do

The source of authority is the self and the self alone - even when it comes to getting a prescription for a pair of glasses. 

Now this bit....

Gonna break out of the city

Leave the people here behind

Searching for adventure

It's the type of life to find

... reminded me of the echt-Sixties freedom anthem "Born To Be Wild" and its "looking for adventure"



"A true Nature's child" - except for the  technocratically designed and administered apparatus of highway construction /  extraction-refinement-transportation of gasoline /manufacture of Harley Davidsons....   that entire enormous engine of post-war production-innovation-prosperity that buoys up the adventure of those allegedly breaking "loose" from it, yet secretly utterly dependent on it....

Irresistible song, though - with another great lyric

Get your motor runnin'

Head out on the highway

Looking for adventure

In whatever comes our way


I like smoke and lightnin'

Heavy metal thunder

Racing with the wind

And the feeling that I'm under

Yeah, darlin' gonna make it happen

Take the world in a love embrace

Fire all of your guns at once

And explode into space


Like a true nature's child

We were born, born to be wild

We can climb so high

I never wanna die

Born to be wild


"Fire all of your guns at once /And explode into space" - this where the complicity with the military-industrial complex almost rises to consciousness within the song

And weren't many Hell's Angels actually veterans of World War 2 who found a return to suburban-domestic quiet life to be too boring? (Some, notoriously, supported the Vietnam War and offered to beat up peacenik longhair protestors...)

On the subject of libertinism - hark at the cover of the Rods single! 














That's Aleister Crowley, with Mickey Mouse ears on!

Now I am told by students of the black arts that my interpretation (in Shock and Awe) of Aleister C's dictum  "Do what thou wilt shall be the whole of the law" is wrong - it doesn't mean you can do whatever the hell you like, it means that whatever the Cosmos has designed you for, has endowed and ordained as your nature or gift or vocation or purpose, you should pursue that to the limit, or rather to the no-limit. 

"Wilt" means "willed" -  it's not you doing the willing, you are being willed. Your deepest existential drive is not a matter of volition, something you decided for yourself, but rather emanates from ... the Force or whatever they call it (Thelema?).  So rather than being a Luciferian or "disobedient child" mission statement, "do what thou wilt" is really about a kind of submission to the World-Will.

However I must say, in practice, the maxim would seem to be a recipe for a "do-what-you-like" approach to pursuing one's desires - a psychopath or abuser could say, "just following my nature here! Just being my best monstrous self!".  

Another hit single expressing a similar life-stance to the Rods hit, from just a few years later: Thin Lizzy, "Do Anything You Want To"


Equally irresistible tune:  the Burundi-ish drums invent Adam and the Ants several months ahead of schedule, great dual-lead gtr. And some good lyrics from Phil


There are people that will investigate you

They'll insinuate, intimidate and complicate you

Don't ever wait or hesitate to

State the fate that awaits those who

Try to shake or take you

Don't let them break you


You can do anything you want to do

It's not wrong what I'm saying, it's true

You can do anything you want to do

Do what you want to


People that despise you

Will analyze then criticize you

They'll scandalize and tell lies until they realize you

Are somebody they should've apologized to

Don't let these people compromise you

Be wise too


You can do anything you want to do

It's not wrong what I'm saying, it's true

You can do anything you want to do

Do what you want to


Hey you

You're not their puppet on a string

You can do everything

It's true

If you really want to

You can do anything you want

Just like I do


You can do anything you want to do

It's not wrong what I'm saying, it's true

You can do anything you want to do

Do what you want to


Hey you

You can do

Hey you

Yes, you



The repetition of  "you"  drills in this idea of the listener being directly incited to autonomy - "Hey you!"





















This advert flexes what Althusser called interpellation - or hailing. It's like a recruitment ad - "the country of rock'n'roll needs YOU"

Actually there are two you's  in "Do Anything You Want To" - object and subject. 

There's the "you" of the verses, persecuted and bossed around. And then that "you" busts loose, in the chorus, into free living. 

A perfect anthem of adolescence. 


The last lines are odd in this "nothing can hold you back" anthemic-ness context:

Elvis is dead

The king of rock and roll is dead

Elvis is dead


A sobering conclusion to a song based in the idea rock'n'roll shows you the royal road to freedom and self-realization -  early death (42 in Elvis's case)

And of course Phil Lynott would be gone by the age of 36... drugs and drink related illnesses.



As the Thin Lizzy tune ended, another song piped up on YouTube - in an advert - "nothing can stop me, I'm all the way up"

Yes the sentiment is imperishable - and this idea of rock-as-unbridled-freedom lives largest in hip hop


Underlining my sense that rap's politics are libertarian and magical voluntarist (positive thinking, visualization, manifesting) *

As with pre-punk rock, it's the worldview of the adolescent, the disobedient child. 

Of course, no way for a society to be run and thank god for the conscientious parentally minded professionals trying to keep the whole shitshow on the rails... 

Personally I am in favor of more rules and regulations - a World Government, with an arsenal of punitive powers for those destroying the live-ability of the planet. 

Not just Kim Stanley Robinson's Ministry for the Future, hatching policies and solutions and hoping they'll be taken up ... but a whole judicial apparatus... 

A Super Ego for a world amok with id energies


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* Reminded of this surprising quote about his addiction to MTV from Harold Bloom

"My favorite viewing, and this is the first time I have ever admitted it to anyone, but what I love to do, when I don’t watch evangelicals, when I can’t read or write and can’t go out walking, and don’t want to just tear my hair and destroy myself, I put on, here in New Haven, cable channel thirteen and I watch rock television endlessly. As a sheer revelation of the American religion it’s overwhelming.... I watch MTV endlessly, my dear, because what is going on there, not just in the lyrics but in its whole ambience, is the real vision of what the country needs and desires. It’s the image of reality that it sees, and it’s quite weird and wonderful. It confirms exactly these two points: first, that no matter how many are on the screen at once, not one of them feels free except in total self-exaltation. And second, it comes through again and again in the lyrics and the way one dances, the way one moves, that what is best and purest in one is just no part of the creation—that myth of an essential purity before and beyond experience never goes away. It’s quite fascinating" 

Too many examples... 



addendum


I suppose "Anarchy in the UK" and its flipside "I Wanna Be Me" are the properly punk versions of the Sovereign Ego stance.... "I Wanna Be Me" especially sounding more paranoid and cornered than triumphantly free.... a portrait of identity confusion and fear-and-loathing of the media


I had enough of this

This is brainwash

And this is a clue

To the stars who fool you


Gimme World War Three

We can live again

You didn't fool me

I fooled you

You wanna be me


Yeah, didn't I fool you?

I ruined you


I got you in the camera

And I got you in my camera

A second of your life

Ruined for life

You wanna ruin me in your magazine

You wanna cover us in margarine


And now is the time

You got the time

To realise

To have real eyes


Down, down, down, down

And I'll take you down on the underground

Down in the dark

And down in the crypt

Down in the dark

Where the typewriter fit


Down with your pen and pad

Ready to kill

To make me ill

Down, wanna be someone

Wanna be someone

Need to be someone

You wanna be me


Ruin me

A typewriter god

A black-and-white king

PVC

Blackboard books

Black and white

Wanna be me


Sunday, December 21, 2025

"Words that make the air bleed"


 


















1978! Never heard of this - session? guest appearance? interview?  Doesn't seem like the sort of thing Capital Radio used to go in for. 

I think the estimate of the number of people who'll be listening in is rather inflated... that would be literally every single person in Greater London, at that time. 

I mean, yes, "eight million people can listen" to The Pop Group, but are eight million people going to listen? Not very bloody likely. 

“Words that make the air bleed” makes me think of "when I fart, the sky bleeds" by Ted Milton on “Confessons of an Aeroplane Farter” - this is before he formed Blurt, who were not unlike The Pop Group, homegrown Contortions



Monday, December 8, 2025

Sex Maniacs

 


Does any phrase bring to mind the atmosphere, the aroma, of the British 1970s better than "sex maniac"?

Not a rhetorical question - I genuinely am curious if there's a more evocative word or phrase.

I mean, there's "secondary picket". 


The ad above is from 1976.  The Sex Maniac's Diary launched in 1972, which surely proves its echt-Seventiesness. ("Kinky" would be the much cooler 1960s precursor I should think) (In fact, the Diary has a Kink of the Week listed).. 








































It reminds me of this forgotten book that I actually got for Christmas that year, I'm really not sure why, given that I was about 13 at the time.

























A sort of spoof on Superwoman -  a 1975 best-selling guide to achieving female omni-competence by Shirley Conran - but also a genuine guide for the modern gentleman. Apparently it too was a best-seller.

A riff on "Male Chauvinist Pig" - another very 1970s phrase.

The only things I can remember from Superpig are Willie Rushton's advice on sex: a gentleman always says "thank you" afterwards. And also that prior to intimacy, a man should always undress top down - shirt first, then trousers and socks. Trousers removed while the shirt is still on, he considered an undignified look that would blow your image of suave savoir faire in the boudoir.   

Back to the Sex Maniac's Diary - someone I knew at Melody Maker, a freelancer, one of those interesting oddball characters who found their way into the inkie press, actually worked for  Tuppy Owens, the female entrepreneur-activist behind the "Sex Maniac's" brand (there were Sex Maniacs Balls and the Erotic Awards and all kinds of other products - this chap was involved in all of that). This would be late '80s, very early '90s, when you would have thought that the "sex maniac" concept would seem frightfully dated. 

Actually looking into her life, Tuppy Owens seems to have been a genuinely progressive figure.  And she died earlier this year in fact. 








































The concept of "sex maniac" always makes me think of the wonderful trailer for this classic of softcore smut, a/k/a "funography"



I love the husky elation of the woman singing the theme song: "this is your life, Timmy Lee!"


I say "classic", but I still haven't watched the whole film, even though it's out there





Timothy Leer-y




There's also a film called Confessions of a Sex Maniac, but not sure if this is from the actual official series of Confessions... books / films, which always stipulated a profession or occupation or line of employment, that happened to lend itself to sex-mania


1974, need you ask... 




So is the conceit of the novel / film series that "Timothy Lea" is both the author of the books and the protagonist, doing a series of jobs that lend themselves to how's-your-father? 

Doug Keeley reminds of the Confessions of a Pop Performer flick - in which Robin Askwith's Timmy Lea plays in a glam band called Kipper





A rip off of the Confessions template 


Although there was a Confessions of A Plumber's Mate book.... 





Another rip-off of the Confessions template



                                                            Also from the 1970s, natch


Possible convergence of "sex maniac" and "secondary pickets", ahoy



Brings a whole new spin to the idea of trade union congress…


"Shop Steward" - another '70s-scented phrase of course





Andrew Parker points to the Australian counterpart - Alvin Purple

Whose occupation is water bed salesman





"Purple" - I fear this is meant to connote a la "crimson crowbar"



Ooh, something much much earlier - 1934!





However I think it was originally just called Maniac and then repackaged as Sex Maniac and repositioned for the porno market. In the '70s or '80s 




Not sure if any of the following have any relation to Tuppy Owens's brand








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A serious thought - the journey from "sex maniac" to "sex addiction" tells a story about our times. From permissiveness and libidinal liberation to a medicalized era and the idea of appetite-as-affliction


Mind you I suppose - as jocular as an expression as "sex maniac" was, it did contain the idea of psychopathology


What is the literature of sex mania? 

Portnoy's Complaint

The early creepy short stories of Ian McEwan (Ian Macabre as he was nicknamed) have an angle on the souring of Sixties liberation-drive into something seedy, sordid, and depressive-hedonist. There's one involving some blokes who work in a sex shop in Soho... and another about an all-nude singing-dancing-fornicating West End theatre production...  and then there's the ones about incest, child molestation (two of those, very different) and Los Angeles as where erotic politics slackens into nullifying decadence.



There's at least a couple of porn film called Sex Maniac and Sex Maniacs - both from the 1970s





But probably the place where the concept lived largest was TV comedy. Everyone is being accused of being one, or claiming to be one. 



As suggested by Phil in comments: 


Hanky panky, how's your father, slap 'n' tickle, get your end away, leg-over ...

cf words that feel 1980s onwards: bonk, shag, rumpy-pumpy, nookie


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How's about music? 


Well, there's this Ian Dury character Billericay Dickie.... 




Not about a sex maniac, but about a sexy windowcleaner - or is he? (Argument that the song is full of innuendo and is about about a sex worker who vigorously enjoys his work)






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I actually know a sex maniac.... Always on the pull, always going on sex holidays. 

This lad's like a characterological throwback to the 1970s - men with eyeballs popping out on stalks and necks that swivel every time a curvy young lady walks by...  panting... sweat popping off the forehead and damping up the hairy palms...  slavering for a glimpse of knickers... 

Like a young, very good looking Benny Hill with ultra-hip music taste

A dirty young man, in fact...

1970s-throwback too insofar as he doesn't use the apps, he's a chat up merchant, always getting girl's numbers in the street.

Funny thing is that he is of the generation that is supposed to have gone off sex, to be doing it markedly less than previous generations...   either dissatisfied by or deflected from the Real Thing by their porn addictions... or paradoxically turned off sex because of  its insta-availability through Tinder etc... in exactly the same way that streaming can create musical anhedonia, a wilting and atrophy of the urge... 

Not him though










x

Tuesday, December 2, 2025

The Parental Voice in Pop

 

"We gave her most of our lives.... never a thought for ourselves...


"We only wanted to be loved"

(always taken it to be meant as a clinging motherly or grandmotherly voice, a mixture of sponge and limpet... although others bits of the lyric suggests it's more about the mutual braindeath of matrimony: Rotten's last stand of cynicism before hitching up with Nora, for life)


"Nigel's whole future is as good as planned"

And now for something completely different... 

Ray Davies playing truant from his role as Head of the Family, keeping his head down and turning a blind eye... 

I am sure there's other examples of the parental voice in the Kinks songbook, must be something on Village Green Preservation...

Not a parental voice but perhaps a social surrogate for the parental - the congressman in "Summertime Blues" - "like to help you son, but you're too young to vote


Harry Chapin of course...  

Not forgetting Cat Stevens's "Father and Son"


Maternal voice internalized as spectral super-ego, not heard but invoked in "Triad" 


I love you too

And I don't really see

Why can't we go on as three

You are afraid, embarrassed too

No one has ever said such a thing to you

Your mother's ghost stands at your shoulders

A face like ice, a little bit colder

Saying to you, you cannot do that

It breaks all the rules, you learned in school

But I don't really see

Why can't we go on as three


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update 12/2 late night

Lots of good suggestions in the comments, but this one I remembered myself -  it dramatizes a dispute between a dad and his fruity, freaky glam-rock loving kid.



The full skit below concerns a teenager (Tommy Chong) who wakes up and listens to a song by "Alice Bowie" (Cheech Marin) and then his father (also played by Marin) yells at him to get ready for school and they have a fight.


[song]

My mamma talkin' to me, tryna to tell me how to live

But I don't listen to her 'cause my head is like a sieve

My daddy, he disowned me 'cause I wear my sister's clothesHe caught me in the bathroom in a pair of pantyhoseMy basketball coach, he's done kicked me off the teamFor wearing high-heeled sneakers and acting like a queen (queen)
The world's comin' to an end, I don't even careAs long as I can have a limo and my orange hairAnd it don't bother me if people think I'm funny'Cause I'm a big rock star, and I'm making lots of moneyMoney, money, money, money, moneyI'm so bloody rich, I own apartment buildings and shopping centerAnd I only know three chords, watch me burn you fools
[skit starts]
I said turn that thing down and get ready for schoolHey, what are you trying to do? You ruined my record, man, I just bought itI don't care what you just boughtYou get your little fanny perpendicular and get ready for schoolI'm not going to schoolWhat do you mean you're not going to school?
It's what I said, I'm not going to schoolAnd why not?Because I'm sick, that's why notSick, you're sick, all rightWhat's wrong with you now, prince charming?I got an earache
Earache, my eye, how would you like a butt ache?Now, get your little fanny out of that bed and clean up this roomIt looks like a pigsty, you hear me?
(oinking sounds)
All right, that's enough, that's enoughYou pushed me far enough, young man, you're gettin' punishedNow stand up, no I said stand up!
Ah, let go of my hair, manNow, young man, I have talked to you and talked to you and talked to youTil' I'm blue in the face, and I'm done talking to youGood, does that mean you're done spitting on me, too?Shut up, I'm not done talking to you, now turn around and bend overOr what are you going to do, you pervert?
Pervert? What are you snobby littleOw, ow, ow, ow, ow, ow, owOh, shut up, I haven't even touched you yetNow I want you to know this is gonna hurt you a lot more than it's going to hurt meOh wow, that didn't even hurtOh, yeah?
Oh, wow, what are you trying to do, tickle me?Tickle you? Yeah, I'll tickle you, ow!Oh, is that tickle, huh?Come on, I'll tickleCome on, lock it up, honey, come onOh no more, no more
All right, now you're gonna do what I tell ya?Yeah, yeah, yeah, yeah, yeahYou gonna talk back to me?Yeah, yeah, 
what?I mean no, no, no, no, noAlright, now you get your clothes on and get your little butt ready for school right nowDo you understand? 
Yeah, alright






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Update: 12/ 3

how could I forget this one? 



sourced in this anti-drug single (as mentioned in the comments) 



4 Hero's sequel to "Mr Kirk's Nightmare"



Do Anything You Wanna Do

  One of those groups who are let down a little by their front man's appearance - not that he isn't "charismatic", he cert...