I am taking refuge from the political-social horrors of the present by paying attention to the political-social woes of yesteryear - YouTube's ancient episodes of World In Action are particularly diverting.
Or how about this one from the late '80s about the Docklands redevelopment scheme and its deleterious effect on local residents? This is an issue I would have been aware of in vague terms at the time, but not with this concrete detail and vivid grimness. And I would not have seen this program then partly because I didn't own a telly or have ready access to one, but mostly because I was out and about seeing bands or just being young.
An earlier program on the decline of the Docklands, from 1976
This is the opposite of how nostalgia usually works. Generally, nostalgia involves fixating on the "fun" bits of the past, like music or other forms of entertainment, fashion, maybe sport, or just something quirkily of its time - and screening out the shite: urban blight, political strife, racism-sexisim-homophobia, mass poverty and the sheer impoverishment of the look of things in run-down post-WW2 Britain.... The backdrop, the context, drops away, and just the redeeming or charming or daft bits are focused on: the escapism rather than the things that necessitated escape. Which then creates a completely distorted, unfaithful sense of how fun and cool the past was.
But what I'm doing is finding distraction and even relaxation in the bad bits of the living-memory past. It's not even warts-and-all retrospection - I'm zooming in on the warts and nothing but the warts.
But there is also lighter fare on offer - via the bonanza that the BBC Archive has recently been offering up, here's a 1977 program on the brewing industry in U.K. and the Campaign for Real Ale.
Fascinating stuff, from the space-age control room of the gigantic industrialized brewing works to the struggle for control of the drinking map of the country between the different cartels of beer makers (whose tentacles also extended into spirits and wine, many well known brands) and then finally to the earnest activists of the pressure group CAMRA, with their conferences and drably written and drearily delivered speeches, not to mention their clothes (lots of sweaters and sideburns). Surprisingly there are actually some women visible at the meetings, if not on the podium.

I feel like this information came up in some recent blog comment, or perhaps I just saw it on someone else's blog - but CAMRA put out a record. A selection of beer themed tunes, performed for some reason in a lite jazz-rock mode, as performed by the National Youth Jazz Orchestra. One of the tunes is by the great Neil Ardley.
To be honest, even if I didn't direly crave relief from the present, I'd probably happily spend all my TV-time watching these old currents-affairs programs and investigative reports from the 1970s and 1980s. Joy's patience for it, though, is limited.
Then there's the light entertainment fare of the time, astonishingly bereft and often outrageously reactionary.
But that's a whole other story - indeed there's a blog post I have been hatching for a while now, working title New Faeces.
^^^^^^^^^^^^^^^^^
Suddenly occurred to me this blog has basically become a 1970s blog - or 70s / 80s blog (if factoring in the Bad Music Era postige).
Bit like a cross between those decades blogs of yore and Found Objects....
The CAMRA coverage is funny in hindsight, given the way that craft beer has gone on to conquer the world. Or at least America and - to a lesser extent - the UK.
ReplyDeleteLike looking at pictures of 19th century Russian Marxists. An eccentric sect of die-hard true believers, forever condemned to the margins.
There's a Real Ale Twats strip where they complain about the sudden arrival of loads of hipsters on their scene!
DeleteI was amazed to see that CAMRA is still going today - and that it quickly became an international movement. Branches in Australia and such like.
The most interesting bit in the program is about a pub where the landlord still brews the beer in the cellar. Each week the ale has a slightly different flavor.
Ooh another thing that's very 1970s that I forgot about - homebrewing. It was a huge thing. Putting those silvery water-wing-looking containers in the airing cupboard.
My very first hangover was from homebrew. Went to a party, foolish drank some - quite a lot in fact. Must have been sediment heavy - it did drink more like soup than beer - and woke up with cosmic migraine-level headpain. No one ever told me about drinking water the night before. It lasted all day - I went to bed with my head pounding - and then I woke up and the hangover was still going, albeit somewhat muted.
Yes we had home brew beer, and wine as well, in our house when I was a child, although I think it was a pretty short-lived fad.
DeleteIn my memory there was even a home-brewing show on TV, one of those 7pm weeknights on BBC2 jobs. Or maybe it was a regular slot in a cookery programme.
I have a vivid recollection of them inviting on some kind of supposed wine expert to talk about home-made wine. They were straight out of central casting: the wine guy in a blazer with brass buttons and a cravat, the bearded home-brewing host in a Bill Oddie-esque patterned jumper. They were talking about how to make wine at home, and the wine guy was talking about how difficult it was. “Of course, a lot of home-made wine is absolutely awful: disgusting,” he said. “I mean: you might as well drink beer.” At which point the home-brewing host just stared at him, hard.
At least, that’s the way I remember it. But on reflection it seems too good to be true: a perfect little vignette of the British class system in action. Mike Leigh could not have scripted it better.
Homemade wine feels slightly different - more Richard Mabey ‘Food for Free’, foraging for edible wild growing things in the countryside, nettle soup. But maybe I only think that because my uncle used to make dandelion wine.
DeleteI seem to remember elderberry wine was a thing and also sloe gin - made out of those very sour berries that made your teeth feel furry if you were daft enough to bite one.
Ginger wine is another oldtimey very Englishy thing but thst was bought rather than made at home I think.
You may well enjoy "The Enfield Poltergiest" on Apple+, the very...well, hauntological (in every sense of the word) docudrama about alleged supernatural goings-on in late 70s suburban London. Not only is the fashion, interior design etc. of the period faithfully recreated --70s Britain feels so ...*repressed* and claustrophobic and patriarchal-- there were actual audio recordings of real conversations during the supposed events, which the actors in the series mime along to and enact, for an extra achronological, unheimlich chill.
ReplyDeleteAlas, the music is the weak spot. Instead of Radiophonic Workshop weirdness, we get a bog-standard orchestral score and some 3rd tier detritus (Members, Boney M) of the period.
Still, seems like something you'd be interested in.
That does sound right up my street. So it's a fake doc?
DeleteSort of, it has interviews with the actual people, intersped with a dramatic recreation of events of the period, with occasional Brechtian nods (footage of set designers matching sets to photos of the original, a few fourth wall breaks). I grew up in Australia during the 80s, but 70s British TV (Rainbow, the Goodies) was a mainstay of my childhood, and there were a few shivers of recognition about the verisimilitude of it all.
DeleteEasy to mock CAMRA, but there is no question that they saved cask ale in the 70s and 80s. And it was worth saving, as it is a unique style of beer.
ReplyDelete"Like looking at pictures of 19th century Russian Marxists" - there is actually a connection between CAMRA and Marxism. Some early members were involved in IS/SWP, particularly Roger Protz, now a very well respected beer writer.
And lest we forget, Chas and Dave's breakthrough as a chart act, was the use of 'Gertcha' in the Courage Best adverts. The whole tone of that ad campaign was a response to CAMRA success, and was effectively re-launching Courage's cask ale: https://youtu.be/2o6AC7cXcIs?feature=shared
“Some early members were involved in IS/SWP”: that is fascinating.
DeleteSeems like they were much more effective as consumer champions and tastemakers than as political activists!
Indeed! They produced a quite a lot of journalists over the years: Paul Foot, both the Hitchens brothers, Gary Bushell, Wendy Henry. And it is noticeable in that video that the CAMRA members are talking as much about publicity campaigns as they are beer.
DeleteI note Carol Kenyon's name on that NYJO album sleeve - best known probably for her vocals on Heaven 17's 'Temptation.'
ReplyDeleteWow well spotted
DeleteThat was me (simon)
DeleteIf you are really looking for "the past is a ghastly place" stuff, you should check out this BBC documentary about the photographer Don McCullin:
ReplyDeletehttps://www.youtube.com/watch?v=ILB2ALJbd6c
The anecdotes about the Congo and Beirut are unbelievable. As an aside, McCullin's photos for the covers of the first Pop Group and Killing Joke albums are also featured in this doc.
A worthy rabbit hole.
ReplyDeleteMy first thought is, focusing on the warts can also be a great way to go back and appreciate the non-warts, if done correctly, and probably with a serious streak of masochism.
Even gathering together cultural detritus to recreate the forgotten context of crapness doesn't quite restore the magic of the original encounter with the treasured object or event, though, because it can't bring back the flow of consciousness.
My formative years were the Reagan 80s, and whenever I want to remember what those years were like it's never enough to see a curated selection of ads, commercials, TV clips, and so forth. You need to start with that, but then amass hundreds and hundreds of hours of rubbish, sit down and watch it all straight through, day after day after day, for a solid week-- the stream of dreck has to hurtle through your mind like a toxic cancer-train, without a break, flattening you into a demoralized stain on the pavement, before you can recover even the ghost of the sense of surprise and euphoria when something good snuck in.
Just to pick one cultural moment I like: over the years I've read plenty of reminiscences from people who were around in '84 who described staring at their TV screens in astonishment as Morrissey waved his gladioli on Top Of The Pops, how shocking and odd it was. While it's not hard to look back on 1984 and get a decent grasp of why that performance would stand out, the only real way to understand is to watch 59 hours of terrible TV-- not just TOTP but commercials, news programs, dramas, interstitials etc., in order, as they aired-- and *then* watch the clip.
That’s something else I’ve been doing recently - watching whole episodes of Top of the Pops, especially from particularly benighted years like 1985 or 1996 or - nadir of nadirs - 1976. And that way you do get a sense of the shitescape that makes the very occassional cool jump out with a measure of the original surprise and feeling of deliverance. Not quite your 59 hours worth of immersion in yestershite - but enough to bring back the feeling I had at the time.
DeleteAs a random experiment I watched a full TOTP episode from May 1985 and it was delightfully awful. Bronski Beat and Marc Almond miming their absurd version of "I Feel Love", a bored Weller barely bothering to fake it, forgotten mediocrities like Steve Arrington-- ahem, that's S/T/E/V/E Arrington-- and Curtis Hairston, and an out-of-nowhere #1 in Paul Hardcastle's "19"...to paraphrase Tommy Lee Jones in "No Country For Old Men", if it wasn't 59 hours of torture, it'll do until it comes along.
Deletehttps://www.youtube.com/watch?v=_HGfIHUzVGQ
(Actually, fine, it was kind of fun to watch, if for no other reason than Peel's sarcasm-- and there would appear to be a significant music video, Godley & Creme's "Cry", which featured an early, analog version of face-morphing that in digital form was used by Michael Jackson for "Black and White" and would subsequently become an overused gimmick in TV commercials. Hadn't seen that before.)
That actually sounds like an above average edition. Feel like I have seen the very one in question not so long ago.
DeleteMind you I do quite like the 'I Feel Love' redo - it also incorps 'Johnny Remember Me' right? - but perhaps as much for the video as the cover version per se.
Steve Arrington did some great tunes, maybe not the one that made the charts.
"19" is an eternal puzzlement - why commemorate Vietnam War dead then? I guess there'd been a spate of films. As a dance track it's better than I remembered it - even quite advanced for its time. He then went on to make some quite bland jazz-funk but done solo with machines - as if 'Rocket' era Herbie hailed from Hitchin or somewhere like that. I discovered to my surprise recently that one of his other tunes, the main hook got sampled by Omni Trio or Hyper-On Experience, one of the great junglist outfits on Moving Shadow. Perhaps Hardcastle was more influential on DIY electronic producers than one would imagine.
If "19" was advanced for its time, musically, it was for cultural commentary about Vietnam, as well. I recall a spate of films too, but actually the heavy Vietnam stuff started coming out a year later, in 1986, with "Platoon". (Even if you count "Rambo, First Blood Part II", Stallone's epic was released a month after "19".) So it's even more of an oddity, then: a British dance track about US draftees in Vietnam, coming out of nowhere, and not only hitting number one but remaining there for five weeks and becoming the top-selling single in 13 countries in 1985 (thanks Wikipedia).
DeleteI think your reply about Arrington, "I Feel Love", and "19" is interesting because you picked out a few things to like about that episode, whereas (to repeat) I think it's also fun to take in the whole episode as a single work. You can isolate some cool or notable bits, true enough, but doing so misses the total flow of the episode, the way it all bleeds together into a sustained and cohesive assault on your mind. Maybe "I Feel Love" is pretty good, on its lonesome, but by the time I got to it, I could no longer distinguish that performance from the preceding 24 minutes of rubbish.
When I think about the 80s, and what it was like, I remember it as dismal precisely because of that seemingly endless flood of nonsense on TV shows like TOTP (for me, MTV)-- the miming, the graphics, the kids' fake hysteria, the cheesy hosts, the aggressive selling, selling, selling-- that drowned the good as well as the bad. It was tough to disentangle the quality from the drivel.
Of course, I've just described why critics are important. They help the public separate the wheat from the chaff, and this has always been true (and extremely valuable).
Still, the 1980s were the beginning of a new and more intense period of steady, ubiquitous, aggressive marketing to young audiences, which is what TOTP, MTV, etc. did so expertly. The explosion of music videos, the emergence of cable TV, more sophisticated selling techniques, tighter corporate marketing synergies (almost primitive compared to the present, when marketing besieges us every second of the day-- often with our unwitting cooperation-- through our smartphones, tablets, computers, and so on). To call up what those years were like you really do have to try to re-experience patches of media in their complete form, as much as possible, with no time-skipping or curation allowed.
(It occurs I'm stating all this from the perspective of a heavy TV watcher, and that's very much characteristic of my generation too.)
One funny thing about this thread is that my mum spends all day watching Challenge TV on Freeview, which is non-stop reruns of old quiz shoes such as Catchphrase, Family Fortunes, Strike It Lucky etc.
ReplyDeleteSo you can still live in a world dominated by the likes of Roy Walker, Michael Barrymore and Les Dennis.
I also enjoy looking at both period examinations of social issues (I was recently thrilled to find an online trove of Public Broadcast Laboratory, a late-60s live magazine show by the proto-PBS network NET) and bits of cultural detritus - bad sitcoms/TV movies, trashy fiction, etc. I have my limits, of course, but it's worthwhile socio-cultural anthropology, to a point
ReplyDeleteI rarely come away without having gleaned a thought or a bit of knowledge or understanding of something that I didn’t have at the oriignal time. But even the feeling of jaw dropped boggling at the absurd lameness of the past feels more enticing than immersing in some quality current production that you’ll completely forget within weeks - like, literally not a trace, plot, characters, the whole caboodle.
DeleteAren't Iron Maiden now, or have recently been, official sponsors of CAMRA, with their own ale? I'm sure my local has a CAMRA poster featuring Eddie at the bar.
ReplyDeletehttps://shop1.camra.org.uk/product/the-good-beer-guide-2024/ Just look at the cover to CAMRA's 2024 Good Beer Guide. Bruce Dickinson also writes the foreward.
DeletePerhaps it’s just a coincidence, but the typeface for lettering on the cover of “Real Ale In Brum” is the same as Black Sabbath’s logo inside the gatefold sleeve of their first LP
ReplyDeletehttps://www.discogs.com/master/723-Black-Sabbath-Black-Sabbath/image/SW1hZ2U6MjMyNjYwNzM=