Sunday, April 28, 2024

Dial-a-Disco


An advert in Sounds, April 1983. Love the drawing of the punkette with her piercings and badges. 

"Outside London, 24 hours a day, except during the season's major cricket matches, when it's available at the end of play"

Even without the summertime disruption caused by cricket, this doesn't seem the most compelling of offers to the pop-loving public: "all your favorite singles" but that translates to "four different songs" during the week, going up to five at the weekend. 

How much did they charge per minute? 

Easy to picture parents up and down the land with steam coming out of their ears when they opened the  phone bill.  

I could find very little information about Discline online.

But in the 1960s a service called Dial-A-Disc was offered by what was then known as the GPO - General Post Office . 











Same issue with the cricket competing for limited phoneline bandwidth!

Excerpts from a Retroscoop post about Dial-A-Disc:

"Dial-a-Disc was trialed first in Leeds, springing to life at 6 pm on the 7th July 1966. It ran for just under a month, before being hailed as an outstanding success! The service was started again on the 8th December 1966, again only in the Leeds area, but it was rolled out to the rest of the country gradually over a four year period.  On-demand music streaming had arrived. But Hi-Fidelity it wasn’t.

"Transmitted in Mono, with the bandwidth heavily squeezed, the music was accompanied by the obligatory background crackle and static hiss generated by sending the audio down miles of copper cable. But despite its shortcomings in musical quality, it was a truly magical experience – and one that had an indefinable charm about it....

"The service ran during the ‘cheap rate’ hours from 6 pm in the evening to 6 am the following morning every weekday, and all day on Sundays.  Initially only the top 7 records in the charts were played on the service, with a new record being played every day. This was soon increased to the top 8, with two records being played on Sundays. Eventually, the service expanded in its latter years to include the whole of the top 20.... 

"People who used Dial-a-Disc have fond memories of the quirkiness of the service.  Some individuals recall that on some occasions they could sometimes hear other people talking on the line during the gaps between the end and start of the records. This appears to have been more of a problem when listening to Dial-a-Disc via public phone boxes. In some inner-city booths, youths would dial into the service specifically to chat to other local users during the quiet spots. One woman from Birmingham claimed to have met her future husband in this way!"

Like fiddling the lecky or your gas meter, crafty kids found a bunch of different ways of getting to hear the pop tunes for free. 

However this one doesn't sound very satisfying: 

"Listening to the record in installments.  The GPO allowed users to listen to the first 10 seconds of the recording for free before you had to insert money into the coin box. Users would ring the service multiple times until they had managed to listen to the whole disc. Tedious, but achievable."

But wouldn't it just replay the first 10 seconds of any given song again and again? 

Another juicy, yet also somewhat puzzling and unconvincing snippet:

"There was another problem caused by the service that particularly affected small towns and villages that only had one public phone box. Clusters of youths began to hold what the press began to term ‘telephone-a-gogos’, where dozens of teens pooled their pocket money and hogged call boxes for hours on end listening and dancing to the same record over and over."

Hmmm... look,  I know people in the sticks were culturally deprived - I can remember what it was like living in a smallish town in the semi-country in the 1970s  - but really, would kids cluster around a public telephone to hear pop music? What is the broadcast strength and range of a phone receiver not held to the ear but aloft for a group of people to hear?  Fairly feeble, I'd say - and then the level of fidelity would be barely existent. And talking about capacity - "dozens of teens" were squeezing themselves into a phone box, were they? 

For a moment there I started to wonder if this blogpost was made-up.

"Telephone-a-gogos" is good. Alernative pun: dial-a-disco party. 

The second half of this also strained credulity:

"My ‘love affair’ with Dial-a-Disc occurred during the summer of 1979, where I would often dial in to hear the latest sounds. However, the first quarterly bill brought my happy ‘affair’ to an abrupt end.  I did attempt to call from a Phone box on one occasion, but a bunch of local yobs ran round the box with a roll of masking tape and sealed me in. Luckily, a passer-by spotted me and managed to get me out."

Yeah, pull the other one, pal.

Ditto for your story about the mate who, heading home drunk from a party, got in a phone booth and dialed up "I Will Survive", then fell asleep. Only to wake in the morning and find a long, irritated queue of people in the morning waiting to use the phone,  but too typically English and polite to disturb the occupant. 

Ah, so -  as the reference "the summer of 1979" indicates -  Discline would appear to have just been a rebranding of Dial-A-Disc, which had carried on through the 1970s  and under its new name would make it to the other end of  the '80s,  finally winding up in around 1991.  






 

12 comments:

  1. The punk lady's got a Yes badge on (the only badge with an actual bandname on it). Is she a bit of a bandwagon-jumper?

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    Replies
    1. You are wrong, sir - there are badges for The Adicts (Clockwork Orange-dressing punx), The Clash, and combos with the names The Insane and The Outlaws. which sound punky to me. There is also a badge for Zig Zag which by '83 had become a Goth magazine pretty much.

      The Yes badges seems anomalous and I am doubting if it is meant to be a band badge at all - it's capitalized, it seems like an affirmative statement - but in favor of what, I have no idea.

      Other badges are mystifying: Job Loss (presumably decrying unemployment but ambiguous), Out Now (could be Troops Out Now, in ref. Northern Ireland) but then there's also a Union Jack badge and the letter J.

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    2. I think it’s actually Joe Loss! Job Loss is a great name for a punk band though

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    3. with the piercings she looks pretty modern

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    4. Ok, I was wrong about the Adicts, but it's doesn't say the Clash, it says the Slash. Indeed, the other bands appear to be ersatz allusions to other bands: the Outcasts as the Damned and the Insane as Madness (which explains my mistake about the Adicts: I thought it was a nod to the Adverts).

      Other evidence that Hannah (that's what I'm calling her) is flitting between various scenes: the Siouxsie-style barnet she has is not exclusively goth, but she's also got a mod-revival RAF roundel, and wasn't the Union Jack a common Oi! insignia? (At one point in The Secret Diary of Adrian Mole, Barry Kent gets into trouble for wearing a Union Jack to school, causing the teacher to decrying him as an "NF lout").

      If "YES" is a slogan, it doesn't sound very punk at all. On the contrary, the opposite NO would have made a fine, economical punk slogan. Also, none of the records on Discline are remotely punk. The only one with a vaguely punkish title is Kenny Everett's Snot Rap, which is Kenny Everett as Sid Snot and Cupid doing a comedy rap over a disco/funk tune, with the video featuring, among dancing girls and some beefcake in a posing pouch, the common yet bowel-emptyingly terrifying new romantic spectacle of two guys in white masks doing robot mime. Also, this was 1983. Not only was punk dead, but post-punk was looking rather peaky. Do you get the impression that Hannah lived well far from any major metropolis? I'm guessing Somerset.

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    5. The Outcasts and The Insane were both real bands

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    6. There were more punks and punk-looking people and more punk bands in the early '80s than in 1977. The indie charts were overrun with anarcho, Oi!, Goth, hardcore etc. People talk about the Second Wave of punk - for sure the hip and metropolitan areas moved on but it had reached the provinces and it sort of settled there. My younger brothers were into things like Discharge.

      There's a badge with an indecipherable squiggle that I would love to say is Zoundz - an anarcho-aligned band, did a single called "Demystification" - but it is impossibly to definitely say

      Definitely the Clash, it's the lettering style with a large L and a large S that creates confusion. But if you compare the first letter, if it was a S it would resemble the fourth letter.

      Joe Loss ! A bit of whimsy from the illustrator, or a typo?

      The use of a punkette to advertise such a mainstream selection of records is incongruous but most likely an attempt to make it seem "trendy" - similar probably to how Student Railcards and student bank accounts would have been advertised at the time, lots of hair gel etc

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    7. Looking more closely, I concede that the badge does say The Clash. In my defence, the illustrator has drawn a stud covering the badge slightly, thus making the C look like an S (to my eyes, at least). I've made myself look a right silly Billy. The badge on the left edge, with only "Ti" fully visible: Anti Pasti?

      But this just makes my initial point even more pertinent: why has she got a Yes badge on?

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    8. And 1983 was the year when Yes released Owner of a Lonely Heart and 90125, and as such had shifted fiercely away from the Roger Dean sleeves and adopted a design aesthetic that resembled Peter Saville. So Yes were employing a capitalised YES as their logo at that time (admittedly not written as higgledy-piggledy as the badge, but it's not a photograph, you know).

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    9. The ultra low budget mexican answer to Mad Max 2, the road warrior, features punks that terrorize people and one of their roman style gas guzzling chariots features a big Yes logo, with the right typhography and colors so everybody knows the postapocaliptic savages like owner of a lonely heart

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  2. Note, also, the Anti-Nazi League arrow and Rock Against Racism star. She's very politically aware, this punkette.

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  3. "There was another problem caused by the service that particularly affected small towns and villages that only had one public phone box. Clusters of youths began to hold what the press began to term ‘telephone-a-gogos’, where dozens of teens pooled their pocket money and hogged call boxes for hours on end listening and dancing to the same record over and over."

    Your reply to this was well worth reading, had me chuckling to myself

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