The archetypal New Wave grid pattern
The Home Counties Blondie-ersatz
New Wavey nervous excitation: Feargal's jerky body moves at the chorus enacts the jolting Event that the song is about - albeit opaquely (what is this song about?) while the rhythm guitar chordage chops against the flow
Did they bring in the horns after seeing Dexys? The brassy up-ness suits the chorus, and there's that odd, quite-clever bit when the horns slow everything down, before it all revs up again.
And then this - this song, this artist, really deserves a post to itself
It's Rik from the Young Ones - but she means it, maaaaan!
So unfathomably bad it must be shown thrice!
This was the bigger (s)hit though
Last dregs
Somewhere between the Antz and Classix Nouveau
One of the more mystifying cults of all the cults of that time.
I suppose "I Want To Be Free" is only a rewrite of this
Mind you, that might be my least favorite Sex Pistols song - out of the songs sung by Johnny Rotten, at least
But it's still about 1000% times realer than the hammy histrione
Some kinder comments I made about la Toyah Wackson in a post about shrieky females of the New Wave era:
And then the warrior-chieftainess of suburban postpunk - Toyah Wilcox, whose band - Toyah - were originally a sort of distaff Adam and the Antz (when the band had a 'Z' on the end) with indie-chart big seller Sheep Farming In Barnet -
Then she followed the trail blazed by Adam and the Ants (with a S on the end now -- less cultic and underground in vybe, more open for teenybop business) into pop and the UK hit parade
Revealingly, she was originally, and remained primarily an actress - Derek Jarman's Jubilee and The Tempest, films, big theatre roles in stage productions by cutting-edge street-raw playrights,
A sort of thesped up, lisping Siouxsie
Once the missing link between Boadicea and Kirk Brandon.... nowadays she's a charming, oh-so-English, matronly-but-sexy figure, married to Bob Fripp, and what a lovely couple they make